I am currently in, or travelling to, The Kingdom of Norway (north Europe, next to Sweden, full of fjords).
Updates will come at odd hours, and as of yet I have no idea of what I'll be doing in Norway, except taking photos of fjords. They don't do much in Norway.
For more info use the 'Norway' tag, and go grab a sexy, hot-off-the-press Fjord Photo!

Posts Tagged ‘lyrics’

If I were a geek…

I’ve talked about music before — musicals, really — but what I haven’t told you is that I, like most grown men, have dirty, dark secrets hidden away in my music collection.

Secreted away, in places that even a competent government agency would struggle to find, I have music by artists such as William Shatner, Meatloaf and even, though I hesitate to admit this, Dashboard Confessional (that folder is hidden and encrypted, for obvious reasons…)

If that wasn’t dank and disturbing enough, you could dig even deeper. Delving further, you would find another directory; a directory with just a single file in it. The file is ominously titled ‘Unimportant-Dont-Click-Me-Please.mp3′. If you’d found this file, and saw through my epic ruse, you’d be be greeted with this:

Yes, I love Beyonce’s ‘If I were a boy’. Don’t ask me why… I just do! I don’t really want to discuss it, so I’ll just move on to the actual point of this entry — I’ve re-written the lyric to ‘If I were a boy’. A cute little American songwriter, upon reading the re-worked lyric blurted out that: ‘You have talent, Seb!’

I’m not too sure about that, but if you even laugh once, I’ll consider it time well spent. As the lyric is, er, geeky, I’ve hyperlinked some of the more esoteric terms, so you an understand it fully!

Press play and try to sing along… it fits… just about!


If I were a geek — sung by Beyonce Knowles, written by Tony Gad & BC Jean

If I were a geek even just for a day
I’d roll out of bed in the evening
And throw on a black t-shirt
And go ‘round  Sheldon’s with dice

And chase after elves
I’d roll dice as much as I wanted
And I’d never get a girlfriend but it
Doesn’t matter ‘cause neither does he

If I were a geek
I think I could understand
How it feels to love myself
I swear I’d be a better nerd

I’d listen to my GM
‘Cause I know how it hurts
When you lose the ‘toon you levelled
‘Cause a hacker got your password
And everything you had got destroyed

If I were a geek
I would turn on my iPhone
Tell everyone it’s awesome
‘ Cause I can watch porn when I’m alone

I’d swing my sword first
And read the rules as I go
‘Cause really, no one questions
A geek with a sword, and lightning bolts, lightning bolt!

If I were a geek
I think I could understand
How it feels to love myself
I swear I’d be a better nerd

I’d listen to my GM
‘Cause I know how it hurts
When you lose the ‘toon you levelled
‘Cause a hacker got your password
And everything you had got destroyed

It’s never too late for you to go back
Say it’s just a mistake
You should take it right back
If you thought Hilton hotter than Leia
You thought wrong

But you’re just a geek
You don’t understand
(And put the Gaiman book down, oh)
How it feels to love a girl
Someday you wish you went out more

You don’t listen to her
You don’t care how it hurts
Until you lose the ‘toon you levelled
‘Cause you took the chinaman for granted
And everything you had got destroyed
But you’re just a geek

***

I am currently in talks with a talented singer to perform the song with my new lyric… I will of course post it, when she does so!

If you like what you've read, or seen, or heard, subscribe to my RSS feed!

Alternatively, if you're new here, you might want to find out more about me, the author. Or perhaps you want to hear a posh Brit rant on about anything and everything (podcasts), or you want to read something more serious?

What am I listening to now?

Yesterday, a massively eclectic list of every album I’ve bought and accrued over the last decade-and-a-half.

Today, as to give you a better idea of ‘where I am’ in the vast expanse of the percussive, chordal and tonal universe, I’ll give you a brief run-down of what I’m currently listening to on a daily basis. In fact, I’m going to listen to all three of these albums as I write this entry so that you get a nice dose of my raw, unfiltered emotions.

Purple Rain - Prince's finest album

Prince – Purple Rain

This, apart from a secret love for Spandau Ballet (all my mother’s fault), is the only album from the 80s that I’ve ever listened to more than once. I’m serious. I hate the 80s. Abi, my 52 Weeks partner in crime, made me listen to it a few months ago. I’ve been listening to it almost day since. Purple Rain is a monumentally awesome album. Sure, it has some synths but it’s OK — they’re actual, honest-to-God good synths. Prince apparently crafted this album with the single intention of catapulting himself — his vast, world-encompassing ego — to stardom. And it worked. There’s something so incredibly sensual about his songs; I think he puts so much of himself into the writing process that it shows

I’ve listened through his entire discography now — and it’s hard work, let me tell you… there’s some real shit in there! — but the first 5 or 10 years of his career were truly awesome. It’s well worth listening to For You, Prince, Dirty Mind, Controversy, 1999 and Purple Rain — his first 5 albums. If you can make it all the way to Sign of the Times, you’ll be duly rewarded too.

Sky Blue, Maria Schneider's latest award-winning 'modern jazz' album.

Maria Schneider Orchestra – Sky Blue

Ah, now this one’s meaty. Something to stick your teeth in to. Contemporary ‘avant garde’ jazz is a very, very small genre — in fact, Maria Schneider is really the only active and successful ‘modern classical’ music arranger. Funny, considering jazz used to rule the clubs and airwaves for some 30 or 40 years, but I guess we have the pop industry to thank for that. Maria Schneider is widely considered the protégé and spiritual successor of Gil Evans (she studied under him for a few years) and her music is really the ‘end of the line’ for the entire chain of  jazz orchestrations since their humble beginnings as ragtime and radio big bands. As such, some people might not appreciate Schneider’s ‘impure’ arrangements; they’re really a lot closer to classical than the jazz you might know and love from your childhood. We’re talking really damn epic pieces here — some are 25-minutes long! — but they are nowhere near as eclectic or random or jarring as ‘proper’ jazz, which will suit some people (such as myselF).

Her music is incredibly complicated, but magical and rewarding and uplifting if you stick with it. Her tunes are grandiose and wildly-sweeping, delving you into the shadowy pit of her childhood despair and then later propelling you up high with wings of cerulean clarity (I’m not just word-wanking, honest. One of her songs is called Cerulean Skies…!)

After cutting my teeth on Gil Evans, Mel Lewis and Miles Davis earlier in the year, Schneider’s compositions hit just the right spot when I’m in desperate need of something complicated and sticky.

West Side Story, the musical remake of Romeo and Juliet, by Bernstein and Sondheim

Leonard Bernstein & Stephen Sondheim – West Side Story

Where to begin…? Should I start with its stand-out and steadfast brilliance as one of the greatest film — and musical theatre — scores of all time? Or perhaps I should celebrate it as the musical that launched Sondheim’s stellar and unmatched career as a composer, arranger and lyricist? (And a Jew!!) What about the fact that it’s based on the greatest love story of all time?

West Side Story is a modern day remake of Romeo and Juliet, just as Kiss Me, Kate retold The Taming of the Shrew and My Fair Lady was a musical rendition of Shaw’s Pygmalion. They’re all as good as each other — all as fantastic as each other at introducing new audiences to classic stories that might otherwise have gone unnoticed by younger generations. Only what you have here isn’t merely an adaptation of Shakespeare’s romantic tragedy — no, West Side Story is a towering masterpiece of stupendous, dazzlingly protean music and lyrics. And don’t forget the choreography: when you watch it you have to remember that it was produced in 1957! This thing basically invented and popularised the Latin and Jazz dance-and-music sequences that you see on stage and film today.

It also happens to feature my favourite ‘musical triplet’ of all time: Something’s Coming/Maria/Tonight.  ’Musical triplet’ is a phrase I coined, so don’t go Googling it — I did warn you I was a music nerd… (most good musicals have stand-out triplets… go find some!)

I wish I could give you links to the albums in MP3-format without getting into trouble, damnit. Just buy it, it’s easier. And buy Purple Rain too, if you don’t already own it — but I imagine most people are a lot more into the 80s than I… and you probably already own it. I’m such a late bloomer. Soon I’ll be listening to Duran Duran and Mötley Crüe… God help me.

* * *

Tomorrow… some kind of photogasm. More of the kid that featured in yesterday’s 8 of 52.